13 March 2026

Weekly visions - week 10, 2026

F1 is for fake

The poster for Genki Kawamura's *Exit 8*
One more week with a short selection of films, due to travelling and not feeling 100% ready to commit to full-length stories…

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10 March 2026

The end of an e

I go back to the sacred timeline

It’s the end of an era, colleagues usually say when someone leaves a job after a few years.
‘It’s the end of an era’, a friend said just a few days ago, as my latest job ended.
Except it’s only been nine months since I accepted the post, and not even five months since I actually started.
Nine months between the day I signed up for a job in my favourite city and the day I said ‘au revoir’ to my new colleagues there, to go back to the one that is not my favourite, but that I must finally acknowledge has become my home, the place I feel relaxed in, and the place I will - if nothing major happens to disrupt my plans - live in for the rest of my working life.
So, a short era. An e, let’s say.
It’s a bittersweet feeling.

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08 March 2026

Weekly visions - week 9, 2026

Disappointingly, Scream 7 is not my film of the week

The poster for Clint Bentley's *Train Dreams*
Once again, let’s go straight to the films.

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01 March 2026

Weekly visions - week 8, 2026

Where I completely dismiss Marty Supreme

The poster for Nanni Moretti's film *Ecce Bombo*
I’m not really inspired to write an introduction, so let’s go straight to the films.

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22 February 2026

Weekly visions - week 7, 2026

A week without American films

The poster for Park Chan-wook's film *No Other Choice*
If you still read my posts, you might be disappointed that I’ve drifted away from horror. I’m sorry about it too, but it’s become hard to find good horror films to stream, or at least movies I’ve heard positive reviews about and I haven’t seen already. As I’ve mentioned before, there is no Shudder or Shadowz where I live, and even with a VPN I’m not able to subscribe to either platform.

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14 February 2026

Weekly visions - week 6, 2026

An almost normal week

The poster for Nanni Moretti's film *Palombella Rossa*
Life is changing once again, which could mean a bit more time to relax and do something that’s not related to work. Plus, I took the week off to recharge my depleted batteries, so my movie intake levels went back to normal.

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